In the first part of the tutorial, we talked about the workflow for texture creation in Substance Painter. In this second part, Francesco dives deep into the lighting and rendering portion of his latest project, The Crocodile, which is now available for purchase on TurboSquid.įrancesco Furneri: Welcome to the second and final part of this tutorial. He has previously published a guest article on this blog on creating procedural rock details as well as Part One of this two-part tutorial. Learn how to export back to Maya, and how to set up the painted textures in Arnold to get a beautiful final shot.Have you seen our newest homepage image? It was created by TurboSquid Modeler Francesco Furneri, an expert in designing details that bring his 3D models to life.

Learn how to procedurally create the textures in Substance Painter.Learn how to properly set up and export your model in Maya.Learn a quick and efficient workflow between Maya and Substance Painter.This class will cut to the chase and show you how to prepare your model in Maya, set your materials, export, procedurally create the texture in Substance Painter, and then-finally-bring it all back to Maya and render beautifully with Arnold. Substance Painter has become the industry standard tool for creating textures for games and films, but it's a very complex and daunting software, and its integration with Maya is not always straightforward.

This hands-on class has the indie artist and 3D generalist in mind, instead of the big company with an army of specialized artists. This class will present a fast, easy-to-use workflow for creating great-looking textures using Maya software and Substance Painter.

Substance painter to arnold maya